panoptes [ in greek mythology ] a one hundred eyed giant who was assigned by the goddess hera [ wife and sister to zeus ] to
		guard io [ of whom she was jealous ] the god hermes [ messenger of light ] dispatched by zeus [ to rescue io ] slew panoptes by
		lulling his eyes to sleep [ then severing his head ] [ hera transplants the eyes of the dead giant onto the tail of the peacock ]
	
		i [ t ponders i [ t fasts. pf. pfau. the a phoenix is a peacock. the is an a. thea and io [ carrying an electrical charge [ the mistress ] ]
		[eo [ ergon works in terms of heat ] over millions of years  a  dawning [ i switch i [ t on ] ]  [  minus_th ] flash  this  lightning rises
		 in  lost nomadic bodies  works in terms of ] i [ ts supplements [ in the suppleness of all bodies ] ] ] ] ] this i [ s where i [ t  is found. [
		halos ] [ toiling with halos [  the radiant movement of matter [ i [ t sparkles with all my gestures . . . . ] ] ] and if the i  [ t is the whole
		thing indivisible [ and working [ as a unit ] ] then t ] i is the reverse cycle of i [ ts flows [ plus pulses ] what comes to i [ t [ what passes
		through i [ t ]  - i [ ts dissipation into the charges of the chemical the electrical and the partic. synergy [ the surplus values of working
		matter ] [ this physical exceeds i [ ts self from stasis into motion [ in deed to working matter ] ] in the remainder of these divisions lies
		the souls of our labours
	
		[ this spirit engendering or inseminating i [ ts self naturally [ this spirit tolerating sexual differences [ in this feint i [ t is as immortal
		as the phoenix ] ] . . . .
	
		this flow of death we come to know as the author.  this constipation of a fathers possible birth. and the peacocks carcass [ with i
		[ ts resplendent net  of feathering eyes ] enlarges a despotic head into a jagged symbol of surveillance. 
	
		[ this proliferation makes of the face an entire body . . . .
	
		this tool writes fast    _   ___ _ _ _ _    _ _ ____ _ _   _  _        _ _ _ _ __ _     __ _ __ _ _ _ __ _    _ _ _ ________ __ ___ _ __ 
	 	__ __ ____ _ _ _ _ _ _ __  __ _ _ ___ _ ____ _ _____  __    _____[ these objects [ punctuated later ] ]
	   
		i [ t writes slow i [ t writes fast
	 
		i [y trips over
	
		each face of lenin a tooth on the piano strings . . . . 
		[ i [ t sings for relief [ this spirit understands i [ ts self as the spirit of a suicide [ where i [ t begins to resonate ] ] ]
	 
11	   [ [ oozing ] the grey outs the pink [ the shadow ] [ red and black squares [ malevich 1915. mondrian composition number 8. 
	
12	   if i [ t is as if the fit [ you are in the pit of my . . . .
	 
	
							 													


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