Linda Marie Walker


Cyperspace, Hypertext, & Critical Theory
http://www.cyberartsweb.org/cpace/body/walker1.html
Body and voice: four cries, 1995
First line: "This begins on a dark night …"

Otis Rush (edited by Ken Bolton)
http://www.eaf.asn.au/otis/lmwlos.html
Line of sight
First line: "I can't say what it is or how I saw it …"

Lawyers Guns & Money
http://www.eaf.asn.au/lgm_essay2.html
Title: Yes
First line: "Introduction: Yes, that's the word, yes, falling I love, yes …"

RealTime
http://www.realtimearts.net/rt41/walker.html
A space for memorising and dreaming
First line: "Usually I don't like visiting museums …"

http://www.realtimearts.net/rt54/walker.html
In the suspended moment of the leap
First line: "It is impossible to tell of all the issues …"

http://www.realtimearts.net/earbash/index.html
The Necks (CD)
First line: "It's a strange music …"

International Corporation of Lost Structures
http://www.icols.org/
Archivist, Department of Dislocated Memory
First line: "A report from the outer (cornered) island …"

Altx, Outerspace
http://www.altx.com/au/manifest1.htm
Three Texts
First line: "Adelaide is so artistically tough and …"

Soft Wishing Y Monument
http://willpap-projects.com/WishY/SoftWishingYMonument.html
Letters between Gregory Ulmer and LMW

Noon Star (with Gregory Ulmer)
http://www.ucet.ufl.edu/~gulmer/star/star1.html
First line: "She was born near forests, she was not …"

Electronic Monumentality
http://web.nwe.ufl.edu/~gulmer/monumentality.html
The Wishing Y (Letters between Gregory Ulmer and LMW)
First line: "A custom: to save the wishbone of the turkey …"

Wunderkinder, curated by Michael Newall
http://www.topfloorarts.com/exhibitionsfolder/lindaimage.html
Scores, in Paris, blow by blow

back to an Archaeology of surfaces