Bibliography

ASCOTT, R. 1980. Toward A Field theory of Post-Modernist Art. Leonardo, Vol 13. Oxford: Pergamon

BAUDRILLARD, J 1994. Simulacra and Simulation. Trans. by Sheila Glaser. The Body, in Theory: Histories of Cultural Materialism Series. Ann Arbor: University of Michigan Press. originally published in French ƒditions GalileŽ 1981

BARTHES, R. 1967. Elements of Semiology

BARTHES, R. 1975. The Pleasure Of the Text. New York: Hill and Wang

BARTHES, R. 1977a. Image - Music - Text. New York: Hill and Wang

BARTHES, R. 1977b. Roland Barthes. New York: Hill and Wang

BARTHES, R. 1981. Image - Music - Text. Trans. by Stephen Heath. New York: Noonday

BARTHES, R. 1982. Empire of Signs. New York: Hill and Wang

BARTHES, R. 1983. The Fashion System. New York: Hill and Wang

BARTHES, R. 1983. Mythologies. Trans. by Annette Lavers. New York: Hill & Wang, 1972; rpt. 1983.

DELEUZE, G. and F. GUATTARI 1983. Anti-Oedipus: Capitalism and Schizophrenia. Preface by Michel Foucault. Trans. by Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis, MN: University of Minnesota Press

DELEUZE, G. and PARNET 1987. Dialogues. Trans. by Hugh Tomlinson and Barbara Habberjam. New York: Columbia University Press

DELEUZE, G. 1994. Difference and Repetition. Trans. by Paul Patton. New York: Columbia University Press

DELEUZE, G. 1993. The Fold: Leibniz and the Baroque. Trans. by Tom Conley. Minneapolis: University of Minnesota Press

DELEUZE, G. 1990. The Logic of Sense. 1969 Les Editions de Minuit. New York: Columbia University Press

DELEUZE, G. and GUATTARI, F. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. vol.2. Trans. by Brian Massumi. Minneapolis: University of Minnesota Press

DELEUZE, G. 1986. Cinema 1: The Movement Image. Minneapolis: Univ. Of Minnesota Press

DELEUZE, G. 1989. Cinema 2: The Time-Image. Trans. by Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press

GENDLIN, E. T. 1962. Experiencing and the Creation of Meaning - A Philosophical and Psychological Approach to The Subjective. New York: The Free Press

GENDLIN, E. T. 1973. Experiential Phenomenology in M. Natanson Ed.., Phenomenology and the Social Sciences. Evanston: Northwestern University Press

Eugine T. Gendlin GENDLIN, E. T. 1978. Focusing. Chicago: University of Chicago

*GIVÓN, T, 1989. Mind, Code and Context: Essays in Pragmatics, Hillsdale, New Jersey and London: Lawrence Erlbaum Associates, Publishers

HAYLES, N. 1984. The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century. Ithica and London: Cornell University Press

HAYLES, N. 1990. Chaos Bound: Orderly Disorder In Contemporary Literature and Science. Ithaca and London: Cornell University Press

HAMILTON, R. 1960. A Typographic Version by Richard Hamilton of Marcel Duchamp's Green Box translated by George Heard Hamilton.The Bride Stripped Bare by Her Bachelors, Even. New York: Jaap Rietman.

HERBERT, N. 1985. Quantum Reality. London: Rider and Company

KRESS, G. and T. VAN LEEUWEN 1996. Reading Images: The Grammar of Visual Design. London and New York: Routledge

PARKER, S, editor in chief 1989. McGraw-Hill Dictionary of Scientific and Technical Terms. Boston: Kluwer Boston.

SCHWARTZ, A. 1970. The Complete Works of Marcel Duchamp. Revised Edition. New York: Harry N. Abrams Inc. Publishers

SHATTUCK, R. and SIMON, W. Ed.s. 1965. Selected Works of Alfred Jarry. New York: Random House

STAM, R., R. BURGOYNE and S. FLITTERMAN-LEWIS 1992. New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond. London & New York: Routledge

STAROBINSKI, J. 1979. Words Upon Words: The Anagrams of Ferdinand de Saussure. Translated by Olivia Emmet. New Haven and London : Yale University Press

Ulmer, Gregory L. ULMER, G. 1989. Teletheory: Grammatology in the Age of Video. New York and London: Routledge

Ulmer, G. 1985. Applied Grammatology: Poste.-Pedagogy from Jacaues Derrida to Josenh Beuys. Baltimore: The Johns Hopkins University Press.

ULMER, G. 1983. "The Object of Post Criticism" in The Anti-Aesthetic: Essays on Postmodern Culture edited by Hal Foster. Seattle: Bay Press

Ulmer, G. 1988. "The Puncept in Grammatology" in On Puns, The foundation of Letters. Jonathan Culler Editor . Oxford and New York: Basil Blackwell

ULMER, G. 1994. Heuretics: The Logic of Invention. Baltimore, MD: The Johns Hopkins University Press

Andrew Paul Ushenko USHENKO, A. 1958. The Field Theory of Meaning. Michigan: University of Michigan

Varela, F., Thompson, E., Rosch, E. 1991. The Embodied Mind, Cognitive Science and Human Experience. Cambridge: MIT Press

WEBSTER, N. 1983.Webster's New Universal Unabridged Dictionary: based upon the broad foundations laid down by Noah Webster, extensively revised by the publisher's editorial staff under the general supervision of Jean L. McKechnie. Webster's New Twenth Century Dictionary, Second Edition. Simon and Schuster: New York

WITTGENSTEIN, L. 1958. Philosophical Investigations, [edited by G.E.M. Anscombe and R. Rhees] with an english translation by G.E.M. Anscomb facing the original German. Second Edition, Oxford

- - -Introduction - - -Approach - - - The Production of Production - - -Meaning/Becoming and Use of Media-Elements - - -Greg Ulmer's "The Object of Post Criticism" - - -Media-Elements - - -The Map and the Territory - - -Fields Of Meaning/Becoming - - -Deleuze and Guattari - The Concept of the Rhizome - - -Ushenko's Field Theory Of Meaning - - -Conclusion
next
ewre