Suzanne Treister CV

Born London
1977-78 Brighton Polytechnic
1978-81 St Martins School of Art, BA Hons
1981-82 Chelsea School of Art, MA

FORTHCOMING SOLO SHOWS

Grimoir du Futur, Espace Multimédia Gantner, Bourogne, France
(24 March - 15 August 2013)

HEXEN 2.0, Cleveland Institute of Art (CIA), Cleveland, Ohio, USA
(Sept - Oct 2013)

In The Name of Art and Other Works, Annely Juda Fine Art, London, England
(Nov - Dec 2013)

FORTHCOMING GROUP SHOWS

The Whole Earth. California and the Disappearance of the Outside, Haus der Kulturen der Welt, Berlin, Germany
(26 April - 1 July 2013)

SELECTED SOLO SHOWS & EVENTS

2013
HEXEN 2.0, P.P.O.W, New York, USA

2012
THE REAL TRUTH A WORLD'S FAIR, Raven Row, London
HEXEN 2.0, D21 Kunstraum, Leipzig, Germany
HEXEN 2.0, Hartware MedienKunstverein, Dortmund, Germany
HEXEN 2.0, Science Museum, London, England
HEXEN 2.0/Literature, WORK Gallery, London, England

2011
HEXEN 2.0, DEATH BE KIND, Melbourne, Australia

2009
MTB [Military Training Base], Alma Enterprises, London

2008
NATO Black Dog Publishing, London, UK
3 Projects, Annely Juda Fine Art, London, England
HEXEN 2039 and Alchemy, Galerie Lorenz, Frankfurt, Germany
Alchemy P.P.O.W New York, USA
HEXEN 2039, Kunstverein Langenhagen, Germany

2007
HEXEN 2039, Skolska 28, Prague, Czech Republic http://www.skolska28.cz/
HEXEN 2039, New Art Gallery Walsall, UK
HEXEN 2039, Book launch and screening, City Lights, San Francisco, USA
HEXEN 2039, Screening, Star and Shadow Cinema, Newcastle upon Tyne, UK

2006
HEXEN 2039, Multi-venue project across London. Installation: CHELSEA space; Screening: Warburg Institute; Interverventions: Ognisko Polskie, Science Museum, British Museum; Event: Dana Centre and the internet www.hexen2039.net Funded by Arts Council of England.
VESNA, (video installation) Commission for Art under construction: the Balkans in context, City Atrium,Social Sciences Building, City University, London, England

2004
Operation Swanlake, Annely Juda Fine Art, London, England.
Operation Swanlake, Kunstlerhaus Bethanien, Berlin, Germany.
Operation Swanlake, MOP project space, Sydney, Australia.

2001
Rosalind Brodsky - Music case history, Briefcase project, Hollywood Hotel + mobile, Sydney.

2000
Sightings/Archives from the Institute of Militronics and Advanced Time Interventionality, Digimatter/Grey Matter, Sydney.
Sightings, Greenaway Gallery, Adelaide.

1999
Odyssey, (an investigation into the lives of Rosalind Brodsky and Pope Alice) Institute of Modern Art, Brisbane.
No Other Symptoms - Time Travelling with Rosalind Brodsky, (CD ROM and video installation) Artspace, Sydney.
No Other Symptoms - Time Travelling with Rosalind Brodsky, CD ROM - Launch event with performance (involving Richard Grayson, Susan Hiller, Pauline van Mourik Broekman, Elaine Pyke and James Flint) and 'Ghosts of Maresfield Gardens' video installation, Freud Museum, London, England.

1997
Dying for your sins, (CD ROM) Australian Centre for Contemporary Art, Melbourne.

1996
Time Travelling with Rosalind Brodsky, The Tannery-project space, London, England.
Dying for your sins, (CD ROM Installation) Institute of Modern Art, Brisbane.
Kitsch'n Shrink, Greenaway Gallery, Adelaide.

1995
Q.Would you recognise a Virtual Paradise?, Mizuma Art Gallery, Tokyo.

1994
Q.Would you recognise a Virtual Paradise?and other paintings, Contemporary Art Centre of South Australia.
Q.Would you recognise a Virtual Paradise?, Australian Centre for Contemporary Art, Melbourne.

1993
Q.Would you recognise a Virtual Paradise?, Exeter Hotel, Adelaide.
Recorded Evidence:Prosthetic Speech, [RE] Gallery, Adelaide.
Software, Union Gallery, University of Adelaide.

1992
Edward Totah Gallery, London.
Between the Clues lies the Evidence, PostWest, Adelaide.

1990
Edward Totah Gallery, London.
Kerlin Gallery, Dublin.
Ikon Gallery, Birmingham: Major Arts Council touring exhibition, to: Spacex, Exeter; Oldham Art Gallery; The Minories, Colchester; Darlington Arts Centre; Nottingham Castle Art Gallery.

1988
Edward Totah Gallery, London.

1985
Edward Totah Gallery, London.

SELECTED GROUP SHOWS/COLLABORATIONS/FESTIVALS/EVENTS

2013
Radical Enlightenment. A Symposium on Cybernetics and the Soul, Palais de Tokyo, Paris, France
A World of Wild Doubt, Hamburger Kunstverein, Hamburg, Germany
Drawing Biennial 2013, The Drawing Room, London, England

2012
Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel
Plus ou moins sorcières 3/3 : Hugger-Mugger, La Maison Populaire, Montreuil, Paris, France
Turn to Red, FLOOD, Dublin, Ireland
Horticulture, Galerie Lorenz, Frankfurt, Germany
Utopia - oder die Sehnsucht nach dem Nichts, Galerie Pankow, Berlin, Germany
RADIANT CASANOVA / LOHN DER ANGST / DIE HITZE IN PARIS / HEXEN 2.0, Laura Mars Grp, Berlin, Germany
Mutatis Mutandis, curated by Catherine David, Secession, Vienna, Austria
THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!, ASC Gallery, London, England
Papier a en-tete (Letterhead ), Cabinet du livre d'artiste, Rennes II University Gallery, France
Collection Espace multimédia gantner, Festival Electrochoc, Abattoirs a Bourgoin-Jallieu, France
The Curator's Egg, Altera Pars, Anthony Reynolds Gallery, London
The Museum Problem, Frutta, Rome, Italy
Malas Escrituras, Galeria Nieves Fernandez, Madrid, Spain

2011
Remise en Jeu, La Kunsthalle Mulhouse Centre d'art contemporain, France
Secret Societies, Schirn Kunsthalle, Frankfurt, Germany; CAPC, Musée d'art Contemporain de Bordeaux, France
The True Artist Helps the World by Revealing Magick Truths, D21 Kunstraum, Leipzig, Germany
Art/Systeme/Poésie, In Situ / Fabienne Leclerc, Paris, France
The Big Society, Galerie GP&N Vallois, Paris, France
Everyday, Ruskin Gallery, Cambridge School of Art, England
Outrageous Fortune, Hayward Touring show, Focal Point Gallery, Southend. Tour: Queens Hall Arts Centre, Hexham; Jersey Arts Centre, St Helier; Mac, Birmingham; The Gallery, York College, York, England
Drawing 2011, Biennial Fundraiser, Drawing room, London, England
Works from the collection of Espace Multimédia Gantner, Bcubico Art Center, Recife, Brazil
Nouvelles du Jour, JTM Gallery, Paris, France

2010
East End Promise: A Story of Cultural Migrants 1985-2000, Londonewcastle Project Space, London
4x6 inches, Galerie Lorenz, Frankfurt, Germany
Art numérique de la Collection de l'Espace Multimedia Gantner, Galerie de la Scene Nationale, Le Granit Belfort, France
Cross-fades. Reconstructing the Future, Shedhalle Zurich, Switzerland
Shift Electronic Arts Festival, Basel, Switzerland
Parallel Re Mix, Leonard Hutton Galleries, New York, USA
London Psychogeophysics Summit, with SPACE Media Arts, openmute.org and HTTP gallery/Furtherfield, London, England
Reinventing Ritual, Contemporary Jewish Museum, San Francisco, USA
Magic Show, Hayward touring show: Grundy Art Gallery, Blackpool; Tullie House Museum and Art Gallery, Carlisle; Chapter, Cardiff; Pump House Gallery, London, England
Awake are only the Spirits, Center for Contemporary Art Znaki Czasu (CoCA) Torun, Poland
Should I Stay or Should I Go, A question rehearsed by RUN, CHELSEA space 5th Anniversary Exhibition, CHELSEA Space, London, England
Making Ships in Bottles, CGP, Southwark, London, UK
Documentalist, Collective Gallery, Edinburgh, Scotland

2009
Reinventing Ritual, The Jewish Museum, New York, USA
Magic Show, Hayward touring show: Quad, Derby, England
Insiders - pratiques, usages, savoir-faire, CAPC Museum of Contemporary Art, Bordeaux, France
Scorpio's Garden, Temporary Kunsthalle, Berlin, Germany
Planet of Signs, Le Plateau Art Center, FRAC Paris, Ile de France
Image Search, P.P.O.W New York, USA
Tactical Support: Curator's Choice Tracy WIlliams Ltd, New York, USA
Awake are only the Spirits, Hartware MedienKunstVerein (HMKV), PHOENIX Halle, Dortmund, Germany
Drawing 2009 - Biennial Fundraiser, The Drawing Room, London, England
The Secret of the Ninth Planet, CCA Curatorial Practice exhibition, Queens Nails Projects, Photo Epicenter and the Studio for Urban Projects, San Francisco, USA
Histoires a l'ere numérique - works from the collection of Espace Multimédia Gantner, [plug.in], Basel, Switzerland
Gothic, Contemporary Art Society fundraiser event, Sotheby's New Bond Street, London, England

2008
Tina B, The Prague Contemporary Art Festival, Billboard Text Art - EMERGING WOR(L)DS
Obama Fundraiser, P.P.O.W, New York, USA
By Invitation Only 2, Kinz, Tillou + Feigen, NY, USA
Bad Year Blimp, Alma Enterprises, London, England
The Disarmory Show, a dBfoundation project, 201 Mulberry Street, New York, USA
Gegen den Strich, Bielefelder Kunstverein, Germany

2007
Gegen den Strich, Kunstlerhaus Bethanien, Berlin, Germany
How We May Be, Late at the Tate, Tate Britain, London, England
Jerwood Drawing Prize, Jerwood Gallery, London and UK tour
3Things, (curated by Donald Smith) RUN Gallery, London, England
ARTIST MAKES VIDEO: art rage survey 1994-1998, art rage: artworks for television, DELL Gallery@QCA , Brisbane, Australia
Annely Juda - A Celebration, Annely Juda Fine Art, London, England
FILE RIO (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, Centro Cultural da Oi Futuro, Rio de Janeiro, Brazil

2006
Flash on the Screen, Basekamp space, Philadelphia, USA
DUSK, by Raul Zamudio, (curatorial section of Digital Video Art Fair (DiVA)) Lummus Park, Ocean Drive, Miami Beach, FL, USA
Drawing from Turner, Clore Gallery, Tate Britain, London, England
FILE 2006 (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, SESI Gallery, Sao Paulo, Brazil.

2005
The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, The Center for Art and Visual Culture, University of Maryland Baltimore County, USA and touring USA
http://www.umbc.edu/fineartsgallery/past_blur.html
NATO, project space at Annely Juda Fine Art, Frieze, London.
ICOLS Strategy Defense and Arms Fair, The Performance Space, Sydney, Australia
Glasgow International, ICOLS Strategy Defense and Arms Fair, RISK, CCA, Glasgow, Scotland
ICOLS audio, finetuned, ETA Project Space, Hove, UK
10th Anniversary Exhibition, Mizuma Art Gallery, Tokyo, Japan
Don't Call it Performance, Konceptkonstmuseum, Rydboholm, Sweden
ICOLS in Evolutionare Zellen Archive, NGBK, Berlin, Germany
Bodies Through Technology, Tompkins County Public Library, Ithaca, New York, USA.
Operation Swanlake, Transmediale.05 Haus der Kulturen der Welt, Berlin, Germany

2004
Don't Call it Performance, Centro Andaluz de Arte Contempor‡neo,Seville, Spain; Domus Artium 2002 (DA2) Salamanca, Spain; El Museo del Barrio, New York, USA.
CITY OF WOMEN 10th International Festival of Contemporary Arts, Gallery Skuc, Ljubljana, Slovenia. http://www.cityofwomen-a.si/
ICOLS, in Collectivity and critical collective/cooperative cultural action, Oliver Gallery, University of South Florida, Tampa FL USA.
ICOLS in Connect the Dots, The LeRoy Neiman Gallery, Columbia University, New York, USA.
ICOLS Strategy Defense and Arms Fair, ferry between Helsinki, Stockholm, Mariehamn, Tallin, ISEA 2004.
Media Forum of the XXVI Moscow International Film Festival, ClubnaBrestskoj, Moscow, Russia.
PLANET B Das B-Movie in der zeitgenšssichen Kunst, Magazin4 Vorarlberger Kunstverein, KŸnstlerhaus Palais Thurn & Taxis, Bregenz, Austria. http://www.magazin4.at/ausstellung_sommer04.htm
Operation Swanlake, FILE 2004- festival internacional de linguagem eletr™nica, Sesi Gallery, S‹o Paulo, Brazil. http://www.file.org.br
Contact Zones, New World Gallery @ Radio Free Hamptons, Sag Harbor, New York, USA.
Digital Salon, The ART Mission, Binghamton, NY, USA.
Eurographics 2004, WTC, Grenoble, France.
Metis:Time/Beam me up, ANU School of Art Gallery, Canberra, Australia.
Unframed, Standpoint Gallery, London.
Fly Utopia!, transmediale.04, Haus der Kulturen der Welt, Berlin, Germany.

2003
Don't Call it Performance, Centro de Arte Reina Sof’a, Madrid;Centro Parraga, Murcia, Spain
New York Calling, P.S.1 Australian Studio project, Long Island City, NY USA
Paradies (Paradise) MAIS V, Bunker under Alexanderplatz, Berlin, Germany
ICOLS AUDIO juniradio Berlin104.1 08.-30. juni http://www.juniradio.net
FILE 2003- festival internacional de linguagem eletr™nica, Museum of Image and Sound (MIS) S‹o Paulo, Brazil. http://www.file.org.br
wywh wish you were here, First Draft Gallery, Sydney, Australia
ICOLS How to be a perfect guest, Sharjah International Biennial 6, Sharjah Art Museums and Expo Centre Sharjah, United Arab Emirates.
ICOLS Glasgow Event, Wasps Studios, Glasgow, Scotland.
ICOLS, The Esplanade, Theatres on the Bay, Singapore.

2002
Gaze Travelling artroom, gallery suryun, Cologne, Germany
Connecting Principle, Newcastle University UK http://www.ncl.ac.uk/connectingprinciple
ICOLS launch event, Museum of Contemporary Art, Sydney, Australiia.
(The World May Be) Fantastic, Biennale of Sydney, MCA Sydney, Australia. www.biennaleofsydney.com.au
Underwood Audio 2 (The Communist Manifesto, by Rosalind Brodsky and the Satellites of Lvov) & cd launch event Underwood St, London.
net.art exhibition, Irish Museum of Modern Art, Ireland
http://www.irishmuseumofmodernart.com/netart_open.htm
ICOLS in Art meets Archive, Sydney State Records Centre, Sydney, Australia.

2001
LE NUMERIQUE : nouveau médium de l'art- From 01.10.01 to 01.11.01, Galerie de Pret d'oevres d'Art, Bruxelles, Belgium.
Penthouse and Pavement, Melbourne.
Model Citizen/No More Ice Cream (An ICOLS project with Bronia Iwanczak) Artspace, Sydney, http://www.artspace.org.au/ & images at: http://www.icols.org/pages/TreisterIwanczak/Creche.html
Disaster Tourism, Rubyayre, Sydney.
New Releases (video), 4a Gallery, Sydney and tour.

2000
Electronic Art Festival, Cyberslag Foundation, Groningen, Netherlands. http://www.cyberslag.com
Gene spill, Imperial Slacks Gallery Sydney. http://ensemble.va.com.au/genespill
Spooky-Ghosts, Spirits and the Uncanny, Glen Eira City Gallery, Melbourne.
Chemistry, Art Gallery of South Australia, Adelaide.
PUSAN International Contemporary Art Festival, Metropolitan Museum of Art, Pusan,
South Korea.
Moving Image Festival, Youthworks shop window installation SALA 2000, Adelaide.
New Thinking is Rare, South Australian Touring Exhibition Program.
F I L E Festival internacional de linguagem eletrönica, Museum of Image and Sound (MIS) São Paulo, Brazil.
(Second place/offline) http://www.file.org.br
World Wide Video Festival, Amsterdam, Netherlands. http://www.wwvf.nl
The Noorderzon Festival, Groningen, Netherlands. http://www.xs4all.nl/~paleis/noorderzon/index.html
Sonar Festival/CD ROM a la carta, Carrer de les Flors 22, Barcelona.
Chip, Melbourne International Film Festival.
Manifest/o, Zagreb, Croatia.
Festival of Independent Press, Museo de la Memoria, Tlaxcala, Mexico. http://www.prodigyweb.net.mx/fcr/index.html
LIVE-STOCK ram/fm, 72 hour audio event, ARC, Stockton on Tees, UK. http://www.live-stock.org
Urban Futures 2000, International Conference and Electronic Art Exhibition, Johannesburg University Art Gallery. http://sunsite.wits.ac.za/urbanfutures or http://www.wits.ac.za/urbanfutures/uf/index.htm

1999
Love and Consciousness, Artopiques Gallery, Paris, France.
Confined, HERE Gallery, New York, USA. (Presumed Innocent collaboration)
Sex and Consciousness, Artopiques Gallery, Paris, France.
WRO 99 - 7th International Media Art Biennale - Wroclaw, Poland.
21, Spacex, Exeter, UK.
National Digital Art Awards exhibition, Institute of Modern Art, Brisbane.
Women in Film and Television Festival (WIFT) Festival, Sydney.
Fusion, St Kilda Film Festival, Melbourne.
2nd International show of CD ROMs, Media Centre d'Art i Disseny, Barcelona. http://www.mecad.org
Contact Zones, Johnson Museum of Art, Cornell University, USA and travelling to Centro de la Imagen,Mexico City, Virginia film festival and touring US and Canada 2000-2001. http://contactzones.cit.cornell.edu/
Fast + Wide, Broadway Media Centre, Nottingham, U.K.

1998
Third International Video Summit Videomedeja, Kulturni Centar-Art Klub, Novog Sada, Yugoslavia.
ArtRage, ABC TV, Australia.
Interact (video screening)The Exhibition Centre, Melbourne.
Kino-Eye: Cybercities, Royal Palace, Antwerp, Belgium.
Xobject space, Dusseldorf, Germany.
corpoREAL, Tullie House, Carlisle, U.K.
Videonale 8, Bonn Kunstverein, Germany
Isea 98, The Tea Factory, Liverpool, U.K
Pandaemonium Festival, Lux Centre/Standpoint Gallery, London.
European Media Art Festival, Osnabrück, Germany. http://www.emaf.de
National Digital Art Awards exhibition, I.M.A. Brisbane.
Prix Ars Electronica 98, Linz, Austria. http://www.aec.at
Underbelly, Cosmopolitan Cinema Complex, Adelaide.
Throw Down a Shape, Supermild, sound event, Adelaide, Australia 4 November, 1998
The Plato Problem, University of S.A. Art Museum window (with Richard Grayson).

1997
Technoscience, Hybrid Workspace, Documenta X, Kassel, Germany.
Wardrobe, Madlove Gallery, Adelaide and tour ('98).
Heteronymous (curated by, Achille Bonito Oliva and Anna Maria Nassisi) San Michele a Ripa, Rome, Italy.
Pass Go and other board games, The City Gallery, Leicester, U.K.
Time Travelling with Rosalind Brodsky, Internet project for Electronic Writing Research Ensemble @ http://www.ensemble.va.com.au/tableau/suzy/
On a Clear Day, European Media Art Festival, Osnabrück, Germany. http://www.emaf.de
Thin Skin, The Performance Space, Sydney.
Imprint 93 and related ephemera, Norwich Gallery, Norwich, U.K.
Time Travelling with Rosalind Brodsky, Canberra Festival of Contemporary Arts.

1996
Artists' Week : Compost Telstra Adelaide Festival '96.
Foyer, Temporary space, Adelaide.
White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room), Cleveland project space, London;The Physics Room, Christchurch, New Zealand.
ICA/Toshiba Art and Innovation Commission, shortlist exhibition, ICA, London.
On a Clear Day (CD ROM ,Website and publication project, curated by John Paul Bichard) ICA, London; Cambridge Darkroom; John Hansard Gallery, Southampton; First Site, Colchester; Focal Point, Southend; Oldham Art Gallery & Middlesborough Art Gallery. http://www.backspace.org/clearday/
Domestic Disturbances, Fifth Experimenta Media Arts Festival, National Gallery of Victoria, Melbourne, Noosa Regional Gallery and touring.

1995
It's a Pleasure, Royal Festival Hall, London.
U.K. Wit and Excess, C.A.C. South Australia, A.C.C.A. Melbourne, Ivan Docherty, Sydney, I.M.A. Brisbane.
Street Gallery, Mishima Ave shopping arcade festival, Sizuoka, Japan.
Frank Thing, Sym Choon Gallery, Adelaide.
Parallel Internet gallery and journal web project. http://www.va.com.au/parallel/x1/gallery
Weird Science, Australia Centre, Manila, Phillipines.
Technothelylogia, Monash University Gallery, Melbourne.
ROMulus and RAMbo-Body language in cyberspace, Canberra School of Art Gallery.
Pretext:Heteronyms, Rear Window, Clink St. Studios, London.
Contemporary Art Society market Royal Festival Hall, London.

1994
Flat, Union Gallery, University of Adelaide.
Whitechapel Open Whitechapel Art Gallery, London.
Presumed Innocent collaboration, Exeter Hotel, Adelaide.
Lead and Follow, Atlantis, London.

1993/5
New Voices - Jeunes Artistes Britanniques, Musee National d'Histoire et d'Art a Luxembourg; Centre d'Art Santa Monica Barcelona; Museo de Bellas Artes Bilbao; Centro Culturel Galileo Madrid; Sala de Veronicas, Murcia; Pescadera Viega Sala de Arte, Jerez; Kulturhistorisches Museum, Magdeborg, Germany.

1993
Hit and Run, A Presumed Innocent collaborative event, [RE] Gallery, Adelaide.
Moving into View - work from the Arts Council collection, Royal Festival Hall, London.
The return of the Cadavre Exquis, The Drawing Center, N.Y. U.S.A.
VITEA: A.I.P.#7, Fifth Sculpture Triennial, R.M.I.T. Faculty Gallery, Melbourne.
The Disaster Show, with Presumed Innocent, Union Gallery, Adelaide University.
Critical City project, domestic space, Adelaide.

1992-1997
New Voices, British Council touring exhibition. Venues:
Macedonia, Skopje, Museum Of Modern Art. 14/02/1997
Czech Republic, Prague, Czech Museum Of Fine Arts, The House Of The Black Madonna. 04/12/1996
Greece, Thessaloniki, Cultural Centre For The National Bank. 31/10/1996
Slovakia, Bratislava, Mirbachov Palace. 05/08/1996
Russia, Nizhnii Novgorod, Kremlin Museum. 29/05/1996
Russia, St Petersburg, The Russian Museum. 18/04/1996
Greece, Thessaloniki, Cultural Centre For The National Bank Of Greece. 11/03/1996
Greece, Athens, Art Halls Of The Cultural Centre Of The Municipality Of Athens. 19/02/1996
Romania, Bucharest, National Theatre Galleries. 11/01/1996
Germany, Magdeburg, Kulturhistorisches Museum. 12/10/1995
Spain, Jerez, Sala Pescaderia Vieja, Ayuntamiento De Jerez. 02/12/1994
Spain, Murcia, Veronicas, Sala De Exposiciones. 04/11/1994
Spain, Madrid, Centro Cultural Galileo. 05/07/1994
Spain, Bilbao, Museo De Bellas Artes De Bilbao. 03/05/1994
Spain, Barcelona, Centre De Art Santa Monica. 10/03/1994
Turkey, Izmir, Izfas Gallery. 29/11/1993
Turkey, Ankara, State Fine Arts Gallery. 18/10/1993
Turkey, Istanbul, Istanbul Greater City Municipality Taksim Art Gallery. 20/09/1993
Luxembourg, Musee D'art Et D'histoire. 05/03/1993
Belgium, Brussels, Eec Presidency Exhibition. 30/09/1992
Belgium, Brussels, La Borschette. 23/09/1992

1992
Whitechapel Open, Whitechapel Art Gallery, London.
Blast from the Past, Minories Art Gallery, Colchester.
Walls 1, Union Gallery, Adelaide University.
20th Century Women's Art, New Hall College, University of Cambridge.
Scene of the Crime? A Presumed Innocent collaborative installation, Post West, Adelaide.
EdwardTotah Gallery, London.
Nothing is {Hidden}, - (collaborative installation with Pamela Golden, Andrew Renton and LindaLevinson),
Rear Window, Lambs Conduit St, London. http://www.rear-window.org.uk/nothing_is_hidden.html

1991
A Painting Exhibition in Two Parts, Todd Gallery, London.

1990
Decoy, Serpentine Gallery, London.
Global Art, Brent Gallery and Galleria, Houston, Texas.
London passim, Casa Veneta, Trieste.
Whitechapel Open, Whitechapel Art Gallery, London.

1989
XXI Festival International de la Peinture, Cagnes sur Mer , France.
Whitechapel Open, Whitechapel Art Gallery, London.
John Moores, Walker Art gallery, Liverpool (3rd prize).

1988
New Brits: Contemporary British and Scottish Painting, The Contemporary Arts Center, Cincinnati, Ohio, and tour of USA Museums.
Object and Image: British Art in the 1980's, City Museum and Art Gallery Stoke on Trent.
Figuring out the '80's, Laing Art Gallery, Newcastle upon Tyne.
Something solid, Cornerhouse Galley, Manchester.
Whitechapel Open, Whitechapel Art Gallery, London
4 London Artists, Nancy Hoffman Gallery, New York.
It's a still-life, Arts Council Collection, South Bank Centre, London and Tour.

1987
Edward Totah Gallery , London.
Edward Bates Gallery, Chicago.

1986
The Golden Thread? Classical Mythology in Contemporary Art, Harris Museum and Art Gallery, Preston, Milton Keynes Exhibition Gallery, Royal Albert Memorial Museum, Exeter, Bradford Art galleries and Museums, Bradford. 1986-87.
Love, Sacred and Profane, Plymouth Arts Centre and Stoke Museum.
Interference, Riverside Studios, London.
Camden Annual, Camden Arts Centre, London.
4 British Artists, Edward Bates Gallery, Chicago, USA.

1985
Nature Morte, Edward Totah Gallery, London.
Open Exhibition, Riverside Studios, London.

1984
Whitechapel Open, Whitechapel Art Gallery, London.
Galerie Davidson, Berlin. (2 person show)
Warwick Arts Trust, London.

1982-83
Images for Today, Touring exhibition sponsored by Sainsburys

1981
Stowells Trophy, Royal Academy, London.

COLLABORATIVE ORGANISATIONS

1991 Founder member of NIH (Nothing is {Hidden} ) London/NY based

1992 Founded PI (Presumed Innocent) Adelaide/NY based

2000 Founded The International Corporation of Lost Structures (ICOLS) http://www.icols.org

PUBLIC COLLECTIONS

Arts Council of England
Art Gallery of South Australia
Australian Centre for the Moving Image
AXA Collection
British Council
Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
EMI Paris
Griffith University, Queensland
Leeds City Council
Leicester County Council
New Hall Cambridge
Tate Britain
Wolverhampton Art Gallery

International Libraries (cd rom collections):
Tate Britain, London
British Museum, London
UCLA, Santa Rosa Junior College, California, USA
University of Auckland
University of East London
Sydney College of the Arts
Rhodes University, South Africa
The Rose Golden Archive of New Media Art, The Division of Rare and Manuscript Collections, Carl A. Kroch Library Cornell University, Ithaca, NY, USA
L'Espace Multimédia Gantner, France
Fundacio Antoni Tapies Biblioteca, Barcelona

BIBLIOGRAPHY

Emily Hall, 'Suzanne Treister at P.P.O.W', Artforum, May 2013

The Whole Earth. Kalifornien und das Verschwinden des Außen / The Whole Earth: California and the Disappearance of the Outside, Edited by Diedrich Diederichsen and Anselm Franke. Published by Sternberg Press, Berlin. June 2013

A World of Wild Doubt, Edited by Dorothee Böhm, Petra Lange-Berndt and Dietmar Rübel. Published by Sternberg Press, Berlin with Kunstverein Hamburg, April 2013

Ann McCoy, 'PAUL LAFFOLEY and SUZANNE TREISTER', The Brooklyn Rail, 5/03/2013

Will Heinrich, 'Suzanne Treister: Hexen 2.0 at P.P.O.W', The New York Observer, 29 January 2013

Ken Johnson, 'Suzanne Treister: Hexen 2.0', The New York Times, February 1, 2013

Christoph Tannert, 'Am Späten Abend Der Welt', in Apokalypse I Utopie, exhibition catalogue essay, Galerie Pankow, Berlin, Germany 2012

Alan Dunn, 'Seeing in the dark' Alan Dunn on Suzanne Treister's 20 CIA BLACK SITES (interview), Stimulus Respond magazine, Omen, Summer 2012 http://www.stimulusrespond.com/

Claire Gilly, 'La préhistoire digitale facon tarot divinatoire au HMKV de Dortmund', Le Monde, France, 5 Juillet 2012

Marie Lechner, 'Les arcanes de l'age digital', Libération 22, France, Mercredi 4 Juillet 2012

Sabine B. Vogel, 'Im Theater des Lebens - Wiener Secession', Die Presse, Vienna, Austria, Freitag, 29 Juni 2012

Andrew Pickering, 'CYBERNETIC MAGIC' Mute, 24 May 2012

Tuesday Gutierrez, 'Suzanne Treister's Hexen 2.0 at the Science Museum', Momardi - Visual Arts in London, 24 April 2012

Rachel Williams, 'Hexen 2.0 by Suzanne Treister', The London Word -The Word on the Street, April 22, 2012

Josephine Demuth, 'Suzanne Treister's Hexen 2.0 at the Science Museum, La Bouche Zine, March 22, 2012

Barbara Axt, 'Samba's Mad Science', Instituto Ciencia Hoje (Scientific Institute, Brazil), 21/03/2012

Mike Watson, 'The Museum Problem, Frutta, Rome, Italy', Frieze, 15/03/12

Regine Batty, 'HEXEN 2.0' We Make Money Not Art, March 13, 2012

Adam Smith, 'Science as mystical connections - only art dares!', Notes from the Underground, March 12, 2012

Drisk, 'Hexen 2.0 at The Science Museum', Obsessed With London, March 9, 2012

Tabish Khan, 'Hexen 2.0 @ Science Museum', The Londonist, March 8, 2012

Alex Mathers, 'Hexen 2.0 by artist Suzanne Treister at the Science Museum', Ape On The Moon - Contemporary Visual Arts, 8 March 2012

Pete Stean, 'Suzanne Treister's Hexen 2.0 @ Science Museum', The Londoneer, March 7, 2012

Paul Kilbey, 'Suzanne Treister's HEXEN 2.0', Onestoparts, 7th March 2012

Suzanne Treister, HEXEN 2.0, with an essay by Lars Bang Larsen, Black Dog Publishing, London, 2012

Suzanne Treister, HEXEN 2.0 Tarot, Black Dog Publishing, London, 2012

Michael Thompson, 'HEXEN 2.0 at the Science Museum', suite 101.com Feb 21, 2012

'Hyperdrawing: Beyond the Lines of Contemporary Art', ed. Phil Sawdon and Russell Marshall, Pub. I. B. Tauris, UK. 2012

'It Is Almost That - A Collection of Image & Text Work by Women Artists & Writers', ed. Lisa Pearson, Pub. Siglio Press, LA, USA 2011

Aurore Bandini, 'The Big Society', art 21, no 31, été, France, pp. 62-65, 2011

Alice Motard, 'The Big Society', exhibition catalogue, pub. Galerie GP & N Vallois, Paris, France

'Secret Societies', Schirn Kunsthalle catalogue. Edited by Cristina Ricupero, Alexix Vaillant and Max Hollein. Snoeck Verlagsgesellschaft mbH, Cologne, 2011

'Rozowka and Transmission' - Artist in residence projects, published in 'Subiektywna Mapa Torunia', UTU, Torun, Poland 2011

Sabine Weier, 'Auf Zeitreiser zwischen Fakt und Fiktion', Schirnmag, 16 August 2011 http://www.schirn-magazin.de/kontext/auf-zeitreise-zwischen-fakt-und-fiktion/

Laura Cumming, 'Outrageous Fortune', The Observer, 31 July 2011

Lorenz Jager, 'Secret Societies, Schirn Kunsthalle', Frankfurter Allgemeine, 24 June 2011

Philippe Dagen, 'Nouvelles du Jour at Galerie JTM', Le Monde, 23-24/01/2011

Anthony Marcellini and Matthew David Rana. 'Rabbi Hackermann' comic strip in,"Everything Familiar Has Disappeared!," News of Common Possibility, San Francisco, Issue 3, July 2010

'Parallel Remix', exhibition catalogue, Leonard Hutton Galleries, New York, USA 2010

Mathias Jansson, 'Interview with Suzanne Treister', www.gamescenes.org, Aug 2010

Rachel Potts, 'Interview with Suzanne Treister', Garageland 10: The Future, Issue 10, Summer 2010

Charlotte Laubard, Francine Fort, Yann Chateigné Tytelman, Emilie Renard and others, 'Insiders', exhibition catalogue, CAPC, Musée d'Art Contemporain de Bordeaux, France. Pub. Les presses du réel, France, 2010.

Alex Gartenfeld, 'VVORK', FANTOM Photographic quarterly, issue 03 Spring 2010

Michael Duncan, 'LONDON, Suzanne Treister at Alma Enterprises', Art in America, April 2010

Skye Sherwin, 'Suzanne Treister, MTB at Alma Enterprises', TimeOut, Nov 26 - Dec 2, 2009

Katy Deepwell, 'NATO: The Military Codification System for the Ordering of Everything in the World', (book review) n.paradoxa, volume 24, KT Press 2009. ISSN 1461-0434

'Magic Show' catalogue, essays by Sally O'Reilly and Jonathan Allen. Pub. Hayward Touring, UK 2009

Patricia Ellis and Angela Rosenberg, 'Scorpio's Garden', catalogue, Verlag der Buchhandlung Walther Konig, Cologne 2009 ISBN 978-3-86560-726-3

Rahma Khazam, 'Planet of Signs, Le Plateau', Critic's Pick, Artforum, October 2009 http://artforum.com/picks/section=fr#Paris

Interview with Josie Demuth, La Bouche, Issue 3 http://www.labouchemag.com/issue-three.php 2009

Guillaume Désanges and Xavier Franceschi 'Érudition concrete 1- La Planete des signes - Le journal de l'exposition', Pub. Le Plateau/Frac Ile-de-France, 2009

Friedrich von Borries/Matthias Bottger/Florian Heilmeyer , TV Towers - 8,559 Meters Politics and Architecture, Pub. Jovis Verlag, Berlin and Liaoning Publishers, Shenyang, 2009

Daniel Belasco; with contributions by Arnold M. Eisen, Julie Lasky, Danya Ruttenberg, and Tamar Rubin, 'Reinventing Ritual: Contemporary Art and Design for Jewish Life', Yale University Press, 2009 ISBN: 9780300146820

Ken Johnson, 'Image Search at P.P.O.W', The New York Times, July 10, 2009

Marie Lechner, 'Wach sind nur die Geister, über Gespenster und ihre Medien' au HMKV, Dortmund, Libération, France 30/06/2009

Verena Kuni, Thibaut de Ruyter and Inke Arns, 'WACH SIND NUR DIE GEISTER', catalogue. Published by Revolver Publishing , Berlin. 2009

Lars Bang Larsen, Catalogue essay for 'The Secret of the Ninth Planet', Pub. CCA, San Francisco, USA. 2009

Annette Hoffmann, 'Weit verzweigte Narration 'Histoires a l'ere numerique' legt im Basler plug.in', Kunstmagazin> Magazine d'Art Regioartline, No. 5. 2009

Alexander Roob, 'In conversation with Suzanne Treister on her War Artists series', Melton Prior Institute, Dusseldorf, Germany . 20/02/2009 http://www.meltonpriorinstitut.org/pages/textarchive.php5?view=text&ID=32&language=English

Natasa Petrsin - Bachelez, 'Blame It on Gorbachev: The Sources of Inspiration and crucial Turning Points of Inke Arns', e-flux Journal # 1, 12/2008 http://www.e-flux.com/journal/view/28

Daniel Soar, 'NATO: The Military Codification System for the Ordering of Everything in the World', London Review of Books, 6 Nov 2008

Eve Sullivan, 'NATO: The Military Codification System for the Ordering of Everything in the World', Contemporary, Issue 97, 2008

Jorn Ebner, 'Suzanne Treister at Annely Juda London', Frankfurter Allgemeine, 4 Oct 2008

Albert Mobilio, 'NATO: The Military Codification System for the Ordering of Everything in the World', Bookforum, Sept/Oct/Nov 2008

Inke Arns, 'Radar: Inke Arns uber Suzanne Treister', ART das kunstmagazin, 15 Sept 2008 http://www.art-magazin.de/kunst/10402/radar

Suzanne Treister 3 Projects - catalogue, publ. Annely Juda Fine Art, with essay by Richard Grayson

'NATO The Military Codification System for the Ordering of Everything in the World' Suzanne Treister
with essay by Marek Kohn. Black Dog Publishing Ltd, London 2008

Nicolas Bourquin and Thibaud Tissot, 'HEXEN 2039' in: 'DATA FLOW' (a contemporary approach to diagrams), Pub. Die Gestalten Verlag (dgv),Berlin, Germany 2008

Leigh Anne Miller, Suzanne Treister and Kim Rugg at P.P.O.W Art in America, June/July 2008

'Drawings - Fit to Reprint' New York Sun, 16th April 2008

'ICOLS department of Future Projections' - artist page, Futures Magazine, 2007

Tony Ozuna, Connect the dots Ð In a blending of fact and fantasy, lessons for a troubled age (Hexen 2039 at Skolska 28) Prague Post Oct 1 2007 http://www.praguepost.com/articles/2007/09/26/connect-the-dots.php

Sebastian Preuss, 'Mythen, Monster und Modisten', Berliner Zeitung, 26.06.2007

Christoph Tannert, Valeria Schulte-Fischedick, Christian Schindler 'Gegen den Strich', catalogue publ. Künstlerhaus Bethanien, 2007

Tom Lubbock, '5 Best Exhibitions' Suzanne Treister, Hexen 2039 New Art Gallery Walsall,The Independent, 28th June 2007

Annely Juda - A Celebration, Annely Juda Fine Art, London, 2007

VESNA artist pages, The Balkans - special issue, Third Text, 85, Vol 21, Issue 2, March 2007

Suzanne Treister, chapter in: 'Videogames and Art', Ed. Andy Clarke, Grethe Mitchell, Publ. Intellect Books, UK and University of Chicago Press, 2007

Dan Smith, 'Unnatural Histories' Art Monthly, No 304, March 2007

Jonathan Griffin, 'Suzanne Treister Hexen 2039' Frieze, issue 105, March 2007

Sherman Sam, 'Suzanne Treister Hexen 2039' The Brooklyn Rail, February 2007 and online at http://www.brooklynrail.org/

Eve Sullivan 'Suzanne Treister: Hexen 2039', Contemporary, no 90, 2007

Gabriel Coxhead 'Digital Art- Infinite Editions' Ftmagazine/Financial Times, January 27/28 2007

Cameron Bain 'Scrying Stranger Aeons', Mute, 16 Jan 2007 http://www.metamute.org/en/Scrying-Stranger-Aeons

Raimundas Malasauskas, 'Looking back/ most significant solo shows of 2006 (Suzanne Treister Hexen 2039)', Frieze, Issue 104, January-February 2007

Louisa Buck 'Hexen 2039 - Warburg Screening' The Art Newspaper London Diary Volume XV, No. 175, December 2006

David Barrett 'Suzanne Treister, Chelsea Space' Art Monthly No 302 Dec-Jan 06-07 online at find articles

Helen Sumpter 'HEXEN 2039' TimeOut, November 15-22 2006

'HEXEN 2039 new military-occult technologies for psychological warfare', Black Dog Publishing, London, 2006
(with essay 'Waiting for the Gift of Sound and Vision' by Richard Grayson)

'Blur of the Otherworldly: Contemporary Art, Technology, and the Paranormal' Essays by Lynne Tillman, Marina Warner, Mark Alice Durant and Jane D. Marsching. Publ. Center for Art and Visual Culture, University of Maryland Baltimore County USA. Dist. DAP New York 2006

Artists page (NATO) Mister Motley, Magazine over Kunst, Amsterdam, nummer 9 - 'idealen!' 2006

Suzanne Treister, 'From Fictional Video Game Stills to Time Travelling with Rosalind Brodsky 1991-2005' Journal of Media Practice, Intellect Books, Vol 7 Number 1 2006

Modern Art: A Critical Introduction 2nd edition, Pam Meecham & Julie Sheldon, Publ. Routledge London 2005

Paco Barragan, Roselee Goldberg, Coco Fusco - No lo Llames Performance/Don't call it Performance Exhibition cat.Publ. Fundacion Salamanca Ciudad de Cultura & El Museo del Barrio, New York 2004

Bettina Knaup, Sabina Potocki with essay by Katy Deepwell, Mesto Zensk/City of Women catalogue, Ljubljana, Slovenia, 2004

Paul Brown - Operation Swanlake RealTime No 63 2004 www.realtimearts.net

PLANET B Die €sthetik des B-movies in der zeitgenšssischen Kunst. Catalogue, dist, www.revolver-books.de 2004

Artist pages n.paradoxa Volume 14 - Dreams of the Future, July 2004

Jean Wainwright - Operation Swanlake Art Monthly (UK) No 278 July - August 2004

Rebecca Geldard - Operation Swanlake TimeOut No. 1765 June 16-23 2004

Operation Swanlake - poster/cat, Annely Juda Fine Art, London, UK 2004

Merryn Gates - Metis time:04 catalogue, publ. Canberra Contemporary Art Space, 2004

Kathy Rae Huffman 'Science by Artists', Publisher: Cornerhouse Publications, Nov 2004

Pam Skelton - Unframed: the Practices and Politics of Women Painting ed. Rosemary Betterton, Publ. IB Taurus, London, 2003

Michael Duncan - Self created worlds Art in America Oct 2002

Jeff Gibson - Biennale of Sydney Artforum Fall 2002

Alexie Glass - Fantastic Voyage Monument No. 47 April/May 2002

Andrew Frost - Sydney Biennale a-z definitive guide Metaphysics, Pataphysics, Astrophysics, Literature, History, Jazz etc Australian Style No 62 May 2002

Michael Smith - of fakes and UFOs, artists and aliens The Drum Media 21 May 2002

Samantha Selinger-Morris - In your dreams HQ May 2002

Bruce James - Why the Biennale is a bit of a miracle Sydney Morning Herald 17.5.2002

Rachel Withers - Sydney Biennale diary Artforum online http://www.artforum.com/diary/id=2853 May 2002

Fietta Jarque - El capital siempre determina a las biendes El Pais 16.2.2002

Michael Bodey - A conspiracy to open our minds Daily Telegraph 13.3.2002

Flash Art (Italy) A Sydney apre la Biennale: la finzione a di scena April/May 2002

Simon Rees - 2002 Biennale of Sydney Flash Art No 225 July/Sept 2002

Sharon Verghis - Stand by for Biennale's showcase of the strange Sydney Morning Herald 13.3.2002

Benjamin Genocchio - As good as a wink The Weekend Australian 25/26.5.2002

Jennifer Sexton - Odds favour unreal event The Australian 13.3.2002

Victoria Hynes - Really Fantastic - Intrigue, ingenuity and eccentricity Sydney Morning Herald 11.5.2002

Jennifer Sexton - Purely personal The Weekend Australian-Review 11/12.5.2002

Gene Autry - Aliens stole my biennale Art Monthly (Australia) no. 150 June 2002

Hannah Fink - Fabulous-Biennale of Sydney Art Monthly (Australia) no. 151 July 2002

Courtney Kidd - (The world may be) fantastic! State of the Arts www.stateart.com.au May-Aug 2002

Sotiris Kyriacou - Biennale of Sydney Contemporary June,July,Aug 2002

Various writers Critical Interventions-Biennale of Sydney 2002 Publ. Artspace Sydney 2002

Sasha Grishin - Biennale of Sydney Canberra Times 10.6.2002

Richard Grayson - Grasshopper Worlds 2002 Biennale of Sydney catalogue

Marek Kohn - Bizarre New World (artist essay) 2002 Biennale of Sydney catalogue

John McPhee - Art is the prize for raiders of the state archives Sydney Morning Herald 8.5.2002

Victoria Hynes - Critic's picks ICOLS [Art meets Archive] Sydney Morning Herald 7/6/2002

Alex Gawronsky - Model Citizen-Artspace Broadsheet Vol 31 no1 Autumn 2002

'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject', chapter by Jyanni Steffensen in:
_Reload_Rethinking Women + Cyberculture, ed. Mary Flanagan and Austin Booth. MIT Press 2002

Chapter on Rosalind Brodsky in Digital Thinking: New Metaphors for Technoscienceand Technoculture by Jyanni
Steffensen. Durham, NC: Duke University Press, 2001

Mike Leggett - Time Travelling with Rosalind Brodsky Leonardo 34.1 (2001) 76
http://muse.jhu.edu/demo/leonardo/v034/34.1leggett.html

Verena Kuni - Passwort: Transit. eMigrantinnen im elektronischen Raum 2000
http://www.kunst.uni-mainz.de/~kuni/abs-exi.htm

Mike Leggett - The Speed of Light
http://www.msstate.edu/Fineart_Online/Backissues/Vol_14/faf_v14_n08/text/feature.html

Kelly Ford - Spooky: Ghost, Spirits And The Uncanny
http://melbourne.citysearch.com.au/E/E/MELBO/0006/66/43/

Annemarie Lopez - Gene Spill CitySearch
http://sydney.citysearch.com.au/E/E/SYDNE/0007/06/11/

Sarah Thomas/John Neylon - Chemistry catalogue Art Gallery of South Australia 2000

I.M.A.T.I. From the Rosalind Brodsky Archives Greenaway Gallery cat. Sept 2000

Katy Deepwell - n.paradoxa (UK)Vol 6, July 2000

Courtney Kidd - Critic's picks Sydney Morning Herald 18 Aug 2000

Daniel Palmer - No Other Symptoms Photofile 59, Aug 2000

Mike Leggett - Redefining hybridity: CD-ROM possibilities RealTime 38 Aug-Sept 2000
www.rtimearts.com/~opencity/rt40.html

De Decker Geert - Sztuka Fabryka - http://www.sztuka-fabryka.be/review/publi01.htm

Taru Elfving - No Other Symptoms Make (UK) No.87 March-May 2000

Michael Gibbs - Time Travel Art Monthly (UK) No 235 April 2000

Sally O'Reilly - London Arts Online feature, www.londonart.co.uk (Excerpts from CD ROM )

Linda Carroli - Odyssey Broadsheet Vol28 summer 2000
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Joni Taylor - Time travel is your only means of escape RealTime 35 Feb 2000

Marek Kohn - No Other Symptoms The Sunday Review, The Independent on Sunday (UK) 16/1/2000

No Other Symptoms - Time Travelling with Rosalind Brodsky CD ROM with 124 page colour hardback book. Published by Black Dog Publishing Ltd, UK ISBN: 19013366X Dec1999

Jyanni Steffensen - Brodsky Economics and the Jewish Science or How to Finance Time Travel from the Production of Virtual Vibrators', Exploring Cybersociety: Social, Political, Economic and Cultural Issues, ed. John Armitage and Joanne Roberts (Newcastle: University of Northumbria, 1999)

Linda Marie Walker - Rosalind Brodsky Cookery Show Artlink Vol 19 no.4 Summer 1999

Jyanni Steffensen - PI in New York. Broadsheet Vol 28 No2 Winter 1999
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Jenny Jones - Isea 98 Make (U.K.) No. 82 Dec 98-Feb 99

Jyanni Steffensen - Point, Click, Point, Click, Boing. Broadsheet Vol 27 No 4 Summer 1998
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Honor Harger - Shape-Shifting: A review of Throw Down a Shape Supermild, Adelaide, Australia 4 November, 1998
http://radioqualia.va.com.au/ctl/texts/hh3.html

Innerscapes - An anthology of artist's writings, Ed: Maurizio Pellegrin, Publ: Trieste Contemporanea 1998 http://www.tscont.ts.it/pubblicazioni.htm

Emma McGlade - Isea 98 Bigmouth Liverpool

Artist pages - Arkzin (Zagreb) No 4 (100/101) 12.'97./01.'98.

Georgy Downey - hot links Broadsheet Vol 26 No 3 Spring 1997
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Dugal McCrow - On a Clear Day liveart magazine (U.K.)Issue 14/15 May-July 1997

Jyanni Steffensen - Kitsch'n Shrink Globe E internet journal
http://www.arts.monash.edu.au/visarts/globe/issue4/sttxt.html

Jyanni Steffensen - triple treats RealTime 17 Feb-Mar 1997
http://sysx.apana.org.au/realtime

James Flint - Wired (U.K.) 3.01 Jan 1997

Tony White - On a Clear Day Wired (U.K.) 3.02 Feb 1997

Achille Bonito Oliva + Claudio Di Biagio - Heteronymous catalogue essays, 1997

Heteronymous TimeOut (Rome) May 1997

Piece of Paper Press No.013 (ed. Tony White, U.K.) Vibrators from the House of Brodsky 1997

David Barrett - On a Clear Day Frieze Issue 33 1997

Brian Lynch - Suzanne Treister, Art Gallery of South Australia Db Issue 145 1997

David O`Halloran - Visual Arts Program Telstra Adelaide Festival 1996

Sarah Thomas - Raking through Compost Broadsheet Vol 25 No2 Winter 1996
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

John Paul Bichard (ed) On a Clear Day comic book and CD ROM

Jill Bennett - Compost Art+Text no.54 1996

Brett Buttfield - White Hysteria Db (Adelaide) Issue #121 June/July 1996

John Neylon - White Hysteria Adelaide Review July 1996

Stephanie Radok - White Hysteria Artlink Vol 16 no.4 Summer 1996

Tania Guha - White Hysteria TimeOut Aug 7-14 1996

Artist`s page with Kazuko Shiraishi, Hanatsubaki magazine Tokyo,September 1996

Ian Howard - Faults, functions and fantasy Brisbane Courier Mail Sept 5 1996

Richard Grayson - Dying for your sins catalogue essay, Institute of Modern Art, Brisbane 1996

Interview with Mutual Reality http:/www.widemedia.com/mutual/ re. ICA/Toshiba comm.

Pauline van Mourik Broekman - On a Clear Day Mute-digitalartcritique Autumn 1996 issue 6
http://www.metamute.com/mute_online

Louise Nunn - At home in Adelaide Adelaide Advertiser Nov 19 1996

Catriona Murtagh - Dying for your sins Mesh Issue 10. Spring 1996
http:/www.peg.apc.org/~experimenta

Chris Chapman - Banana Creme, Wet Dream etc. Catalogue essay for Kitsch'n Shrink, Greenaway Gallery Adelaide 1996

Shiralee Saul - Domestic Disturbances catalogue essay, National Gallery of Victoria Melbourne,1996

Linda Carroli - The Castle as Interzone Broadsheet Vol 25 No4 Summer 1996/7
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Leah Kharibian - It's a Pleasure Royal Festival Hall catalogue and selected quotes,1995

Richard Grayson - Catalogue essay, Mizuma Art Gallery Tokyo, 1995

Sue Hubbard - It's a Pleasure TimeOut Feb 1-8 1995

Informer National The Face no.76 Jan 1995

Anne Brennan/June Mary Scott - Catalogue essays "U.K. Wit and Excess" CAC Adelaide 1995

anon - Weird Science The Manila Times 12.8.95

Zoe Soufoulis/Zara Stanhope - Technothelylogia catalogue essays, Monash University 1995

Francis Hagan - Artist profile Art + Tech (U.K.) 2.01 edition 1995

Sarah Kent - Pretext:Heteronyms TimeOut 22-29 Nov 1995

Stella Santacatterina - Art after Indifference Pretext:Heteronyms cat. essay, Rear Window publications(U.K.) 1995

Adrian Searle - Works for a complex age New Voices catalogue, British Council 1995

Mark Durden - Pretext:Heteronyms Art Monthly (U.K.) no.192 Dec/Jan 1995/6

Jenny McFarlane - ROMulus and RAMbo Photofile Nov 1995 no.46

Jyanni Steffensen - Parallel Gallery and Journal Photofile, Nov 1995 no.46

Anna Clabburn - Technothelylogia World Art 4/1995

Richard Grayson/Catherine Lumby - Catalogue essays for Q.Would you recognise a virtual paradise? CAC Adelaide, A.C.C.A. Melbourne. 1994

Steve Wigg - Impolite questions Broadsheet Vol 23 No 2 Winter 1994
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

AnneRobertson - Flat Agenda Issue 37, July 1994

Richard Grayson - Between the clues lies the evidence (Post West Gallery 1992) The Post West Book [Pub.+ Ed. Alan Cruickshank] Adelaide 1994

Stephanie Radok - Critical mass/city art/artists initiatives Artlink Vol 14 No 2 1994

Julianne Pierce - Selecting the morph tool Broadsheet Vol 23 No 2 Winter 1994
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Olga Spiegel - La Vanguardia 19 March 1994

Steve Wigg - Virtual history Artlink Vol 14 No 3,Spring 1994

John McEwen - Whitechapel Open Daily Telegraph 15 May 1994

Corina Mersch - Luxemburger Land No 13/2 April 1993

Brett Buttfield - Db Magazine (Adelaide) #49, 18-31 August 1993

Ken Bolton - Artist run alternatives Art + Australia Vol 31 No 2 1993

Jyanni Steffensen - Virtual(ly) real desire; Software Broadsheet (Adelaide) Vol 22 & No 3, Spring 1993
http://www.cacsa.org.au/publish/broadsheet/index_frames.html
& in Salient: SA Visual Art 1992-95 Anthology, [Pub. + Ed. Alan Cruickshank] Adelaide Festival, 1996

Samuel Fessler - When canvas meets screen Hampstead & Highgate Express 14/2/1992

John McEwen - Sunday Telegraph 16/2/1992

Adrian Searle - TimeOut 19-26 Feb 1992

Charles Hall - Arts Review March 1992

Andrew Renton - Flash Art May/June 1992

Catherine Lumby - Art + Text 43 September 1992

Catherine Lumby - Artlink Vol 12 No 3 Spring 1992

Tony Godfrey - A British Painting for the 90's Art in America April 1991

Robert Collins/James Josephs - Catalogue essays, Edward Totah/Ikon Gallery catalogue 1990

Tom Lubbock - Independent on Sunday 1/4/1990

Sarah Kent - TimeOut April 18-25 1990

Mark Currah - City Limits May 3-10 1990

Nikkei Art June 1990

Andrea Schlieker - Decoy catalogue essay, Serpentine Gallery 1990

Sarah Kent - Decoy- Lie of the Land TimeOut May 2-9 1990

Rose Jennings - Nature Studies City Limits May 3-10 1990

William Feaver - Landscapes of the video age Sunday Observer 13/5/1990

Andrew Graham - Dixon Decoy at the Serpentine Gallery The Independent 15/5/1990

Tim Hilton - Nebulous Landscapes The Guardian 16/5/1990

Sue Hubbard - Bath contemporary art fair 20/20 May 1990

Susan Chadwick - The Houston Post 1/7/1990

Andrew Hoellering - Suzanne Treister, Spacex Exeter The Guardian 29/8/1990

Sotiris Kyriacou - Artscribe Sept/Oct 1990

Kazu Kaido - Ikebana Sogetsu Spring 1989

Carolyn Cohen - 40 under 40 Art & Design Vol 5, no. 3/4 1989

William Feaver - Character cats and shepherd's pie skies The Observer 22/10/1989

Marina Vaizey - British art finds a new freedom Sunday Times 29/10/1989

Sarah Kent - Back for Moores 20/20 Nov 1989

Robin Dutt - The Independent 26/1/ 1988

Allen Robertson - TimeOut Feb 3-10 1988

Matthew Collings - City Limits 4-11 Feb 1988

Mary Rose Beaumont - Arts Review 12/2/1988

Tony Godfrey - The Burlington Magazine April 1988

David Lovely - Something Solid Arts Review May 1988

Tony Godfrey - Classicism in painting today Art & Design June 1988

Lynne Cooke - Art International Autumn 1988

Higgins and Cohen - New British Painting Phaidon 1988

Peggy Cyphers - New York in review Arts Magazine Oct 1988

Marjorie Allthorpe-Guyton The Golden Thread? Catalogue essay, Harris Museum and Art Gallery, Preston, UK

John Roberts - Interference Artscribe sept/oct 1986

Greg Hilty and Kate Macfarlane - 'Interference' catalogue essays. publ. Riverside Studios, London 1986

LECTURING

1983-1996 Visiting lecturer at St Martins School of Art, Chelsea School of Art, Trent Polytechnic, Bath School of Art, Coventry Polytechnic, Royal College of Art, Goldsmith's College, Kingston Polytechnic, Central/St Martins, Camberwell, Ruskin Oxford, Glasgow School of Art, Monash University (Melbourne), University of Leeds, Sydney College, University of South Australia, Onkaparinga TAFE (South Australia).
1999-2000 Reading University, Wimbledon School of Art, University of Northumbria at Newcastle (upon-Tyne), Goldsmith's College, University of Western Sydney-Nepean, Sydney College of the Arts.
2001 University of Newcastle upon Tyne (UK), University of Newcastle (Australia).
2002 UTS Sydney, University of Newcastle, Australia. University of Westminster, UK.
2003 Brighton University, UK. Wimbledon School of Art, UK.
2004 Universitat der Künste, Fakultat Bildende Kunst, Institut für Kunst im Kontext, Berlin.
2007 University of Northumbria, Newcastle upon Tyne, UK.
2007 Visiting lecturer at Berkeley University of California; Pomona College, Claremont, Los Angeles and New York University (NYU), USA.
2007 University of Gwent, Wales; University of Derby, UK.
2008 Wimbledon School of Art, London; University of Brighton, UK; University of Westminster, UK.

AWARDS/GRANTS/RESIDENCIES

2010 Residency, Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
2010 Arts Council England (Grant for Hexen 2.0)
2006 Arts Council England (Grant for Hexen 2039 curated by Tania Nasielski)
1999 National Digital Art Prize, Australia, 3rd prize.
1998 Australia Council, New Media Fund.
1998 Australian Film Commission, multimedia completion funding.
1997 Australia Council, New York studio residency (for 98/9).
1996 South Australian Department of Arts and Cultural Development. New Work grant.
1995 Australia Council, professional development grant.
1994 British Council, travel grant. Tokyo.
1994 South Australian Department of Arts and Cultural Development. New Work grant.
1992 British Council, travel grant, Australia.
1989 John Moores, Liverpool, 3rd prize.

WRITING

Ambient (male) identity Broadsheet, vol 26, no.4. Summer 1997/98
Dean Whitehorn, Catalogue essay, Experimental Art Foundation,Adelaide 1997
UK Es & Whizz Broadsheet, vol 25, no.1. Autumn 1996
White Hysteria - interview with Bala Starr, Broadsheet, vol 25, no.2 Winter 1996
Patricia Piccinini & Alison Main Mesh- Experimenta media arts journal #8/9 Autumn/Winter 1996
Bad Girls, ICA London, Artlink Autumn 1994
Monstrous Gorgeous, Artlink Vol 14 no.4 Summer 1994/5
Mehmet Adil, Broadsheet Vol 23 no.4 Summer 1994
Bodiless Bodies of Work, Richard Grayson Performance Space, Sydney,catalogue essay 1995
Alex Rizkalla Broadsheet,vol 24 ,no.2 Winter 1995
Japophile/Hi Tack, Broadsheet Vol.22 No.2. June 1993/Salient 1996
Belshazzar, Richard Grayson Post West catalogue (Adelaide)1992
Forensic, Broadsheet Vol. 21. No.3 Sept 1992

TV

PRESUMED INNOCENT-DISASTER Documentary by Heather Croall for "Carpet Burns" SBS Australia. Dec 1993

CONFERENCES

2000 'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject', Next 1.0: New Extensions of Existing Technologies, Karlstad University, Sweden. Paper presented by Jyanni Steffensen.

'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject' Verve at Artist's week, Telstra Adelaide Festival 2000, Ngapartji CMC. Paper presented by Jyanni Steffensen.

1999 Brodsky, Economics and the Jewish Science or How to Finance Time Travel from the Production of Virtual Vibrators, Exploring Cybersociety, School of Social, Political and Economic Sciences, University of Northumbria, Newcastle, UK. Paper presented by Jyanni Steffensen.

Invading Ancestral Spaces through the Privileged Violence of Technology, futureScreen 99: AvAtArs | phantom agents dLux media arts at the Powerhouse Museum, Sydney. Paper presented by Jyanni Steffensen.

1994 Still Photography? International symposium on the transition from analog to digital imaging. University of Melbourne. Paper presented by myself.

CURATING

1997 Wardrobe Madlove Gallery, Adelaide; The Performance Space, Sydney; I.M.A. Brisbane; P.I.C.A. Perth.

1996 White Hysteria Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room) Cleveland project space,Lotta Hammer Gallery, London; ThePhysics Room, Christchurch, New Zealand.

1994 Flat Union Gallery, Adelaide University (with L.E.Young).

Suzanne Treister is represented by Annely Juda Fine Art London and P.P.O.W New York

Suzane Treister homepage