SUZANNE TREISTER
Books and Catalogues
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| NATO
The Military Codification System for the Ordering of Everything
in the World Suzanne Treister with essay by Marek Kohn. Black Dog Publishing Ltd, London ISBN: 978-1-906155-61-2 |
Suzanne
Treister 3 Projects - catalogue, publ. Annely
Juda Fine Art, with essay
by Richard Grayson ISBN: 1-904621-26-0 |
HEXEN
2039 new military-occult technologies for psychological warfare,
Black
Dog Publishing, London, England 2006 ISBN10: 1 904772 63 3 |
No Other Symptoms - Time Travelling with Rosalind Brodsky CD ROM with 124 page colour hardback book. Black Dog Publishing Ltd, London England 1999. ISBN: 19013366X |
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| From the Rosalind Brodsky Archives, Greenaway Gallery catalogue, Adelaide, Australia, 2000 | Kitsch'n Shrink, Greenaway Gallery catalogue, Adelaide, Australia, 1996 | Q. Would you recognise a Virtual Paradise? Mizuma Art Gallery, Tokyo, Japan, 1995 | (chapter in) Videogames and Art Ed. Andy Clarke, Grethe Mitchell, Pub. Intellect Books UK. 2007 |
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| Suzanne Treister, Edward Totah Gallery, London/Ikon Gallery, Birmingham, UK, 1990 | Suzanne Treister, Edward Totah Gallery, London, UK 1988 | _Reload_Rethinking Women + Cyberculture, (chapter: 'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject') ed. Mary Flanagan and Austin Booth, Cambridge, Mass.: MIT Press, 2002 | Modern Art: A Critical Introduction 2nd edition Pam Meecham & Julie Sheldon, Publ. Routledge, London/NY 2005 |
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| Unframed: the Practices and Politics of Women Painting, (Chapter by Pam Skelton) ed. Rosemary Betterton publ. IB Taurus, London, England 2003 | PLANET B Die €sthetik des B-movies in der zeitgenšssischen Kunst. Catalogue, Magazin 4 Vorarlberger Kunstverein und der Bregenzer Kunstverein www.revolver-books.de ISBN 3-937577-53-X | Gegen den Strich, KŸnstlerhaus Bethanien, Berlin, Germany 2007 | (The
World May Be) Fantastic, 2002 Biennale of Sydney catalogue.
Essays by Richard Grayson, 'Grasshopper
Worlds' and Marek Kohn, 'Bizarre New World'. ISBN: 9780958040303 |
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| Annely Juda - A Celebration. publ: Annely Juda Fine Art, London, 2007 | On a Clear Day, comicbook and CD ROM John Paul Bichard (ed) Ultraluxe Productions, UK | Pretext:Heteronyms, essay Stella Santacatterina, Art after Indifference, Rear Window publications (U.K.), 1995 | Blur of the Otherworldly: Contemporary Art, Technology, and the Paranorma,l essays by Lynne Tillman, Marina Warner, Mark Alice Durant and Jane D. Marsching. Publ. Center for Art and Visual Culture, University of Maryland Baltimore County USA. Dist. DAP New York 2005 |
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No lo Llames Performance/ DonÕt call it Performance Exhibition cat. essays by Paco Barragan, Roselee Goldberg, Coco Fusco, Publ. Fundacion Salamanca Ciudad de Cultura & El Museo del Barrio, New York 2004 | |
| Decoy, Serpentine Gallery 1990 | Science
by Artists, Kathy Rae Huffman, Cornerhouse
Publications, UK 2004 ISBN 0948797347 |
Vibrators from the House of Brodsky, Piece of Paper Press, No.013, ed. Tony White, London, UK 1997 | |
| Metis time:04 catalogue, Merryn Gates, publ. Canberra Contemporary Art Space, Australia 2004 | New British Painting, Higgins and Cohen, Phaidon, England 1988 | Mesto Zensk/City of Women catalogue, Bettina Knaup, Sabina Potocki with essay by Katy Deepwell, Ljubljana, Slovenia, 2004 | |
Digital Thinking: New Metaphors for Technoscience and Technoculture, (chapter by Jyanni Steffensen on Rosalind Brodsky), Durham, NC: Duke University Press, 2001. |
Net Art Guide, Frauenhofer IAO E-Business Innovationszentrum, Stuttgart, 2000. ISBN: 3-8167-5590-9 | Stichting
World Wide Video Festival catalogue, Amsterdam, 2000. ISBN:
90-75018-18-5 |
Chemistry, catalogue. Essays by Sarah Thomas & John Neylon, Art Gallery of South Australia 2000 |
Electronic Writing research Ensemble ensemble logic, publication with CD ROM, Teri Hoskin (ed), Adelaide, Austtralia 2000. ISBN: 09578112 5x |
Zonas
de contacto: el arte en Cd-Rom catalogue, Centro de la Imagen,
Mexico City 1999 |
Innerscapes - An anthology of artistÕs writings, Ed. Maurizio Pellegrin, Publ: Trieste Contemporanea 1998 |
Domestic Disturbances, catalogue essay Shiralee Saul, NGV, Melbourne, Australia 1996 |
Dying for your sins, catalogue essay Richard Grayson, Institute of Modern Art, Brisbane, 1996 |
Telstra Adelaide Festival Visual Arts Program catalogue, David O`Halloran, Australia 1996 | It's a Pleasure, catalogue essay Leah Kharibian, Royal Festival Hall, London, England 1995 | Technothelylogia, catalogue essays, Zoe Soufoulis & Zara Stanhope, Monash University, Australia 1995 |
| Works for a complex age -New Voices catalogue, Adrian Searle, British Council 1995 | U.K. Wit and Excess, Catalogue essays by June Mary Scott and Anne Brennan, Contemporary Art Centre of South Australia, Adelaide, Australia 1995 | The Post West Book ÔBetween the clues lies the evidence (Post West Gallery 1992)Õ essay by Richard Grayson [Pub.+ Ed. Alan Cruickshank] Adelaide, Australia 1994 | Q.Would you recognise a virtual paradise? catalogue. Essay, 'We're not in Kansas any more Toto...' by Richard Grayson. C.A.C. Adelaide, A.C.C.A. Melbourne. 1994 |
New Voices catalogue, British Council 1992 |
Something
solid, Cornerhouse Gallery, Manchester, England 1988 |
The Golden Thread?, catalogue essay by Marjorie Allthorpe-Guyton, Harris Museum and Art Gallery, Preston, UK 1986 | Interference, catalogue essays by Greg Hilty and Kate Macfarlane, publ. Riverside Studios, London, England 1986 |