RICHARD GRAYSON
Books and Catalogues
 |
|||
| Artwork
in: The Best of Times, The Worst of Times. Rebirth and Apocalypse
in Contemporary Art Catalogue, Kiev International Biennale of Contemporary Art 2012 |
|||
 |
 |
 |
 |
| Essay
in:
Susan Hiller: From Here to Eternity
by Ellen Seifermann, Richard Grayson and Jorg Heiser Verlag fur moderne Kunst Nurnberg 2012 ISBN-10: 3869842822 |
Essay
in:
Gone to Croatan Edited by Inke Arns, Daniel Muzyczuk, Robert Rumas, HMKV. Revolver Publishing by VVV, Berlin 2012 |
Essay
in: Ruins (Documents of Contemporary Art) Edited by Brian Dillon, Pub. Whitechapel Art Gallery 2011 ISBN-10: 085488193X |
Drawings
in: Hyperdrawing: Beyond the Lines of Contemporary Art Ed Phil Sawdon and Russell Marshall, Pub. I. B. Tauris, UK 2012 |
 |
 |
 |
 |
|
Essay
in: Susan
Hiller
Tate Gallery Publications, London 2011 |
THE
BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age
(David Elliot) Catalogue for 17th Biennale of Sydney 2010 |
Essay
in: A Silence of Beuys -essay in Beuys is Here,
pub. De La Warr Pavilion, Bexhill, England 2009
ISBN: 978-0-9562866-0-4 |
Curatorial:
Scary
Movie (Mark Wallinger, Mark Boulos, Anna Barribal,
Eric Bunger) Exhibition catalogue for Contemporary Art
Centre of South Australia 2007. Reprinted for Perth Institute
of Contemporary Art 2008
|
 |
 |
 |
 |
| Curatorial:
This Will
Not Happen Without You: (Basement to Locus 1979 to 2007) University of Sunderland Press 2007 |
A
Number of Worlds Resembling Our Own Exhibition catalogue SMART Project Space, Amsterdam, Netherlands 2007 |
Curatorial:
In a A Secret
Service Hayward Gallery Catalogue, London. 2006 |
Happy
Believers Werkleitz Biennale, Volkspark Halle (Saale), Germany 2006 |
|
 |
 |
 |
|
Essay
in: HEXEN 2039 new military-occult
technologies for psychological warfare Black Dog Publishing, London, England 2006 ISBN10: 1 904772 63 3 |
Modern Art: A Critical Introduction 2nd edition, Pam Meecham & Julie Sheldon, Publ. Routledge, London/NY 2005 | Intelligence Catalogue for Matts Gallery exhibition, London, England 2005 |
Artwork
in: Wallflower Canberra Contemporary Art Space, Canberra, Australia 2005 |
 |
 |
|
 |
|
Artwork in: Group show catalogue, Contemporary Art Centre of South Australia 2005 |
Artwork
in: Electric Renaissance Catalogue, Handel Festival, Halle, Germany 2005 |
Artwork
in: Gott sehen - Das Überirdische als Thema
der Zeitgenssischen Kunst Kunstmuseum des Kantons Thurgau, Kartause Ittingen, Switzerland 2005 |
Monograph: Richard Grayson - I am Good at Games, Ed Boris Kremer. Essays by Ihor Holubiziky and Astrid Mania. Catalogue Publ. Künstlerhaus Bethanien, Berlin 2004 |
 |
|
 |
 |
| Artwork
in: PLANET B Die Asthetik des B-movies in der zeitgenossischen
Kunst Catalogue, Magazin 4 Vorarlberger Kunstverein und der Bregenzer Kunstverein www.revolver-books.de 2004 ISBN 3-937577-53-X |
A
Disturbing Thing about Dick Essay published in 'Doubtiful - dans les plis du réel', University of Rennes 2004 |
Curatorial:
(The World May Be) Fantastic, 2002 (curator) Biennale of Sydney
catalogue. Essay 'Grasshopper Worlds' 2002 |
Artwork in: Chemistry, catalogue. Essays by Sarah Thomas & John Neylon, Art Gallery of South Australia 2000 |
|
Artwork
in: Sporting
Life, Catalogue essay by Rachel Kent, MCA Sydney,
Australia 2000
|
 |
 |
 |
| Ahistoryofreading. Catalogue essayIhor Holubizky, IMA, Brisbane, Australia 1999 | Curatorial:
Ideal Work Introductory essay amd various artists essays, EAF Publication, 1998 |
600,000
Hours I Essay: Since Valentino died, EAF Publication, 1994 |
600,000
Hours II Essay: Death, where is thy thing? EAF Publication, 1995 |
|
Letter/Message/Fact
Catalogue Essay, Suzy Treister. Performance Space,
Sydney Australia 1995
|
Artwork
in: 25 Years of Performace Art in Australia
Ivan Docherty Gallery Catalogue, Sydney, Australia 1994
|
Artwork
in: The Collaborationists, Perspecta,
Essay by Julie Ewington, Catalogue Art Gallery
of New South Wales, Australia 1989
|
Artwork
in: Body and Object:Performance
Art in Australia. Anne Marsh,
Oxford University Press 1993
|